Entranceway to the Jennifer Fisher Nancy Drew Collection at the Toledo Lucas County Public Library
From childhood fandom to literary preservation, one woman has spent decades helping safeguard Nancy Drew’s legacy while building a community for readers who have never stopped believing in the iconic sleuth.
Before there were conventions, archives, or dedicated museum-style collections, there were simply readers.
Readers like Jennifer Fisher, who grew up devouring Nancy Drew mysteries before eventually becoming arguably Nancy Drew’s foremost historian and preservationist, having donated more than 5,000 objects of her own for fans to explore and enjoy at the world’s largest collection of Nancy Drew materials.
And readers like me, a little girl growing up in Toledo with her own shelves full of Nancy Drew mysteries, who also once convinced a furniture store to sell her parents a Nancy Drew book that had been set up as part of a mock–living room display.
Decades later, those two parallel reading journeys converged inside the Toledo Lucas County Public Library, where Fisher’s expansive Nancy Drew Collection now draws visitors from around the country, fans who make literary pilgrimages to see the collection in person.
As Nancy Drew approaches her 100th anniversary, Fisher is working to continue to preserve rare artifacts and publishing history alongside her organizations, the “Nancy Drew Book Fans” and the “Nancy Drew Sleuths,” providing fans with a place to gather and a sense of belonging in celebration of a beloved fictional teenage detective.
In our conversation for SCBWI, Fisher discusses fandom, literary preservation, storytelling authenticity, and why Nancy Drew still resonates nearly a century later.
Philana Marie Boles visits the Jennifer Fisher Nancy Drew Collection during the series’ 95th Anniversary Conference.
Every writer wants to create something that lasts. A book that sells. A story world where readers return again and again, across years, even generations. Little House on the Prairie. The Chronicles of Narnia. Harry Potter. And nearly 100 years after its first publication, Nancy Drew.
Even if it isn’t one’s goal to write a multi-book series, the principles behind Nancy Drew’s staying power apply across genres and formats for all writers to consider. Readers connect with characters they enjoy, understand, and trust.
Originally written for girls aged 12–16, Nancy Drew has expanded into more than 600 mysteries since its debut in 1930 and an IP world that now includes a series for even younger readers, one with college-era stories, a modern reboot, and a contemporary relaunch. Television, film, and video games have sustained a global readership spanning generations, and Nancy Drew is arguably the earliest and most enduring example of a scalable story world.
January is not just right around the corner—it’s tomorrow! But don’t panic. We still have time to make our resolutions or More/Less lists (see below and linked), and to dream big for 2026. Hopefully, revisiting some of the ideas and insights in Kite Tales’ 2025 posts through the quotes and article links below will provide a fresh sprinkle of information and inspiration to help you get started. Write on. Draw on. Read on!
Kelly Pellico: Jenny, welcome to Kite Tales and congratulations on the one-year anniversary of your debut picture book, Tate’s Wild Rescue!
Jenny Turnbull: Thank you, Kelly. It’s exciting to be here celebrating Tate‘s first book birthday!
KP: What was the initial spark for this story?
JT: Tate’s story is rooted in my lifelong love of animals and feeling wild animals are happiest free in the wild where they can thrive, while companion animals deserve the love and comforts of home. Commitment to our furry family members, and animal welfare, has always been so important to me.
Ellen Hopkins is a New York Times best-selling and multi-award-winning author, a celebrated literary force whose courageous storytelling has enthralled readers like me for over two decades. She is perhaps best known for her raw and poignant novels written in verse. The real-life challenges of being a mother prompted the first of these, Crank, inspired by her now-recovered daughter’s struggles with an addiction to crystal methamphetamine and a consequent stint in prison.
Following the success of Crank, Hopkins has gone on to author more than a dozen acclaimed novels in unabashed verse. She has tackled subjects ranging from drugs to mental health to abuse to sex trafficking, and most recently, the foster care system in her new novel, Sync.
Longtime SCBWI member Joan Bransfield Graham is an award-winning children’s poet whose books include Splish Splash and Flicker Flash—shape poems about water and light (Houghton Mifflin Harcourt). Both books were School Library Journal Best Books of the Year and NCTE Notable Children’s Books in the Language Arts, among many other honors. Her other published works include The Song We Chose to Sing (ACTA), a poetry/music CD, and The Poem That Will Not End: Fun with Poetic Forms and Voices (Amazon Children’s Publishing/Two Lions). She has also contributed to many poetry anthologies.
Joan took a moment to answer some questions for the Kite Tales Blog.
ANN ROUSSEAU SMITH: Congratulations on your newest book, Awesome Earth, illustrated by Tania García. You have written many poems in many poetic forms. Why concrete or shape poems for this new book?
JOAN BRANSFIELD GRAHAM: Thank you, Ann! Since I was going to be featuring landforms, shapes that grace our Earth, what better way to explain a shape than with shape itself—concrete poetry. Not only is the poem talking about the landform but also showing it. Awesome Earth combines poetry, science, and art to explore what creates landforms from “Mountain,” “Glacier,” and “Volcano” to “Island,” “Hills,” and “Hoodoos”—artistic wonders that cover our Earth’s surface. It’s a perfect book for STEAM, National Poetry Month, and Earth Day. Many teachers have told me that my poetry has proven helpful for their students who are acquiring English as it offers many clues to unlocking the words.
ARS: I love how poems in any form—concrete or other—create visual images for the reader or listener. Can you share any writing tips for the poet in all of us?
JBG: MY FIVE FAVORITE POETRY WRITING TIPS
1. Use all of your senses.
2. Use vigorous verbs, marvelous metaphors.
3. Each poem is a mini-story with a beginning, a middle, and an end. If your poem doesn’t have a payoff or new perspective at the end, maybe it’s upside down. Don’t give it away at the start.
4. Use details to reach the universal. Zoom in for a close-up or write a wide-angle, big picture poem.
5. Write the poem you’ve never read before.
ARS: Since Awesome Earth is a nonfiction book it contains back matter, including information on landforms, a glossary, and additional resources for readers. How involved are you with the back matter? Do you find all the information and references, or does the publisher assist?
JBG: I did all of the back matter myself, including the photos. Originally, the additional information was going to be sidebars, but the design team decided to use everything as back matter. It’s a challenging endeavor to take a huge amount of research, distill it, and make it easy to understand. How do you introduce tectonic plate theory and continental drift to a four- to eight-year-old? My books always have a much wider age range than what is listed. In ice-skating, doing jumps and twirls can look so effortless because the skaters have put a lot of work into it. The same goes for writing. Speaking of age range, landforms are studied in all grades, just in different ways. Once a woman said to me, “I don’t know who is having more fun with this book (Flicker Flash)—my six-year-old grandson or his father, who is a physicist!” It’s wonderful to get a response like that!
ARS: You are a longtime member of the SCBWI and a volunteer board member of the Central-Coastal California (CenCal) Region. How helpful has your involvement with the organization been to your writing and publishing career?
JBG: When we first moved to California, I was at the local library one day reading a copy of The Writer magazine, where I saw an ad for the SCBW (it didn’t have the “I” yet) Summer Conference in Santa Monica. Where is Santa Monica? I thought it wasn’t too far away, decided to attend, and have been going ever since. I’ve made lifelong friends, heard amazing writers, artists, editors, and agents speak and share their knowledge of both craft and the business side of publishing, learned a great deal, and had an incredible opportunity to meet a wealth of creative, amazing people, and so I have been a volunteer forever—I am so grateful I joined! Thanks to you, Ann, for your volunteer work, for helping to share happy news and keep us all connected!
Thank you, Joan, for all your thoughtful responses!
For more information about Joan and her books visit her childrensauthorsnetwork! website. Join her on Facebook.
For information on SCBWI-CenCal events (open to all SCBWI members!), go to scbwi.org/regions/cencal.
For more fantastic content, community, events, and other professional development opportunities, become a member today! Not sure if there is a chapter in your area? Check here.
Images provided by Joan Bransfield Graham and the SCBWI Central-Coastal Region
Author Harshini Vankineni with the proof copy of her debut, What Color is the Baby?
Harshini Vankineni is a writer and an immigrant from India and lives in Southern California with her husband and children. Her debut picture book, What Color is the Baby?, is set for release on April 1, 2025. Harshini writes picture books, young adult fantasy, and new adult romance. She likes to write complex characters who are often dealing with societal pressures head-on and to tell stories that are a lens to her culture.
Judy Y Faulkner: Welcome to Kite Tales, Harshini! Tell us a bit more about your history. Have you always been a writer?
Harshini Vankineni: Thank you, Judy. I think I’m a specimen of what middle-class Indian kids are brought up to be—despite many dreams and talents, you end up becoming a computer engineer or a doctor because of parental and societal pressures. I’m a graduate of Software Engineering. I came to the USA, or should I say was sent to the USA, to pursue a master’s in Computer Engineering. But I have been writing since the day I read an abridged version of The Tempest (with pictures and everything). My first manuscript was a really messy tale inspired by Johanna Spyri’s Heidi. I was twelve then, and boy, did I plagiarize. I wrote it in an expired, dated journal that an uncle gifted me, and my mother preserved it until I burned it. Because in that, the villain was my mother.
It’s been a roller coaster of a year. But that means there’ve been ups as well as downs. Joy, growth, progress, breakthroughs, satisfaction. So, take a moment to peruse our traditional year-end inspirational quotes column, which this year includes a baker’s dozen. We need ’em! And we have them, thanks to all of you who have been kind enough to share your time, expertise, images, thoughts, words—and reasons for huzzahs—with all of us through Kite Tales. Now, let’s hop in the time machine together and take a look back at some of the highlights.
Writer Kelly Pellico asks, “Is writing a fool’s errand?”
I’ve spent 148,628* hours reading, studying, and writing picture book manuscripts. I’ve scoured library shelves and listened to an endless stream of craft advice through podcasts, webinars, classes, and conferences. And . . .
Kite Tales 