The first time I submitted a manuscript, it was rejected within 24 hours. “This story is more instructional than engaging,” the editor said, and went on to suggest that it would make a great article. I was dismayed and confused. I thought I had written a story that hit all the notes of a good picture book. I wondered where I had gone wrong.
I reached out to a colleague who used to be a children’s book agent. “Your main character has no agency,” he pointed out. “If your main character has a problem and someone else solves it, then he’s not really your main character.” My mind was sufficiently blown. As soon as he said it, I saw it so clearly! After a lifetime of reading and exploring picture books, how could I have missed that?
Whether it’s a novelty book or a picture book, an interactive element (e.g., flip tabs, spinners, sliders, touch/feel textures, etc.) can give your book an extra level of engagement. But how do you decide if your book should have interactive elements?
Coming from a paper engineering background (i.e., I make pop-up cards), I really wanted to include some kind of interactive element in my first book. When you decide to include something interactive, there’s a special kind of dance that happens.
The L.A. Times Festival of Books is back in person—and as in prior years, friendly SCBWI members will be there to welcome you to the event.
Like James Brown said, it’s time to “Get up offa that thing.”
If you are reading this, chances are you are an SCBWI member, quite possibly in Southern California. That means you’re interested enough in writing and/or illustrating books that you’re willing to pay dues, go to mingles, take workshops, and generally give of your time and money to improve your craft. On Saturday and Sunday, April 22 and 23, you will have that opportunity at the largest book festival in the country, the Los Angeles Times Festival of Books.
Much of this event is FREE, and SCBWI will be there to make you feel welcome.
Author and Rhyme Doctor Patricia Toht is on call in April to help you take your rhyme to the next level.
Join us on Thursday, April 13, at 6:30 p.m. for a webinar with Patricia Toht titled “Let’s Get Rhyming!” Despite what some may insist, it’s not a crime to write in rhyme! But it does take effort to master your verse. Join author and Rhyme Doctor Patricia Toht as she shares her new releases, Together With You and Pick a Perfect Egg, along with other wonderful books in rhyme, and reveals key elements that make them shine. The price will be $12 for SCBWI members.
Warm-up for the workshop’s “hawt” writing tips includes homemade cookies and hot coffee.
Before attending Henry Lien’s Creative Toolbox Workshop in January, I wasn’t much of a workshop person. I’ve got a theatre (with an “re”) degree. I’ve studied all the great playwrights from the inside out—meaning I’ve played their characters, and there is no better teacher about what works and what doesn’t than a live audience. I have written screenplays. I’ve won awards for TV and film. I have books published with glowing reviews. I have earned my snobbish attitude!
But I’ve also been locked inside for two years, like the rest of us, so any chance to see another person face-to-face is a joy these days. Also, I know Henry. Author of the Peasprout Chen middle grade fantasy/adventure series, he sat on a panel I put together for L.A. Comic Con. He’s a really nice guy, so I should go wave the flag of the SCBWI-L.A. board, right?
Kitty Felde at Literary Hill BookFest on Capitol Hill 2022
There is nothing more scary than a blank screen. Starting a new novel from scratch is more terrifying than any roller coaster in any amusement park anywhere in the world.
That’s why I avoid an empty page.
Instead, I’m a great believer in germination. Instead of starting from bare earth, I plant the tiniest of ideas, giving them time to take root and put up shoots. I never know which seeds will fully blossom, but I’m willing to be surprised.
Editor’s Note:On Twitter this Friday (9/16/22) from 12-1PM PST, Jorjeana will take your questions and discuss ways on how to define your writerly goals. Log into your Twitter account during our chat hour and use the hashtag #KTChat or @mention @jorjeanamarie and @SCBWISOCALLA to join the discussion! If you aren’t on Twitter, leave questions in the blog comments before the chat!
Brainstorming isn’t just for coming up with ideas or solving story solutions. If you’re at all unhappy with any aspect of your writing life, brainstorming can help. It can connect you with your deepest desires—and what better way to brainstorm than by playing some fun games with your inner kid.
You may have heard about writer’s block, or have gotten stuck mid-way through a story or a sketch. Maybe you’ve redrawn the same scene multiple times only to have to throw away the paper after you’ve erased right through it. These times can be tough, and it’s hard to pick up that pencil and keep going. But that’s what you’ve got to do.
Editor’s Note: This is the second of three installments on What to Take on Your Writer’s Journey. Look for the third installment next month that will explore deeper revision.
I’ve been writing YA fiction seriously for the last five years. Like many of you, I’ve immersed myself in books on the writing craft and consumed every minute of workshops I could afford. Early in the pandemic, I lived for those free SCBWI digital workshops. In these blog posts, I want to share something different — the less obvious, yet crucial insights that upped the game in my writing journey.