Events, Opportunities, and Resources happening now and coming soon for the Tri-Regions and beyond
OPEN NOW Register now for the 2025 SCBWI Winter Conference in New York City to grab your seat at an early bird rate! In addition to our inspiring keynotes and industry panelists, we will also be hosting Creative Labs for attendees, “offering an in-depth exploration of the business or craft of illustrating and writing children’s books.” Click here to learn more!
Events, Opportunities, and Resources happening now and coming soon for the Tri-Regions and beyond
OPEN NOW Registration for the 2025 SCBWI Winter Conference in New York City is now open! “This year’s event features must-attend keynotes from Newbery Medal–winning author Meg Medina, Caldecott Medal–winning illustrator Sophie Blackall, and Caldecott Honor–winning author/illustrator Peter Brown.” If you are unable to attend the in-person conference from January 31, 2025–February 2, 2025, the Virtual Winter Conference will take place February 21–22, 2025.
Events, Opportunities, and Resources happening now and coming soon for the Tri-Regions and beyond
ONGOING Join the SCBWI Illustration Community in October for 31 days of drawing fun as part of SCBWI Artober 2024! Throughout the month, get inspired with daily prompts to create new art while working in any medium you like. “The goal is to develop a daily practice of creating new art.” Be sure to share your work with the #scbwiArtober2024 hashtag on Instagram and Twitter (X).
Editor’s Note: A longtime active member and generous volunteer with SCBWI-Los Angeles, Jennifer S. Pitts has played numerous roles in support of members of the regional kidlit community, embarking on her latest one just this year. As the region’s new PAL Liaison, she took a moment to give Kite Tales readers a sense of where she has come from, who she is, and her vision for her latest gig. If you are a PAL member, she is eager to hear your thoughts on the program, to make it most responsive to your needs. Here is her self-interview:
Longtime SCBWI-L.A. volunteer Jennifer S. Pitts is assuming a new role this spring. L.A. PAL members, say hello to your new regional rep.
Tell us a little about yourself and your background.
The library was my babysitter (along with my big brother) for most of my childhood. Escaping for hours into the world of children’s books made me want to be a part of that creative process.
As an adult, I have been a teacher, private school administrator, full-time wife, and mother, and a leader/coordinator of women at my church. Recently, I have returned to being a full-time wife and mother so I can dedicate more time to writing.
What was your introduction to SCBWI, and how long have you been with the organization?
Alexis O’Neal introduced me to SCBWI at a UCLA children’s writing event where she was sharing her insights on writing for children. After her presentation, she made time to chat with me in the hallway. She told me about SCBWI and encouraged me to pursue my dream. I joined SCBWI in 2005 and have been pursuing my dream ever since that lucky encounter with Alexis.
Author Alexis O’Neill leading a school visit in Stockton.
Save the date: November 4, 2023!
The SCBWI Central-Coastal California Region is hosting a School Visits Workshop. Alexis O’Neill, children’s book author, writing teacher, and school visits expert will present “The Art (and Business) of School Visits: Sharing Best Practices” on Saturday, November 4, from 9:45 am to 1:30 pm. The event will be held at the Camarillo Library, 4101 Las Posas Rd, Camarillo 93016. Lunch will be provided.
Saturday morning booth exhibitors (l-r) Glenda Armand, R.S. Mellette, Annelouise Mahoney, and Janie Emaus get a thumbs-up from SCBWI-L.A. volunteer Jennifer Pitts (r) as they all prepare to greet festival-goers.
This year, as they do each year, the SCBWI Los Angeles chapter extended an invitation for its PAL members to sell and sign their books at a festival booth. SCBWI SoCal joined the L.A. chapter at the festival for the first time ever, sharing Booth #826. PAL members of the two regions who signed up could choose a two or three-hour time slot for either Saturday or Sunday of the event.
The L.A. Times Festival of Books is back in person—and as in prior years, friendly SCBWI members will be there to welcome you to the event.
Like James Brown said, it’s time to “Get up offa that thing.”
If you are reading this, chances are you are an SCBWI member, quite possibly in Southern California. That means you’re interested enough in writing and/or illustrating books that you’re willing to pay dues, go to mingles, take workshops, and generally give of your time and money to improve your craft. On Saturday and Sunday, April 22 and 23, you will have that opportunity at the largest book festival in the country, the Los Angeles Times Festival of Books.
Much of this event is FREE, and SCBWI will be there to make you feel welcome.
Warm-up for the workshop’s “hawt” writing tips includes homemade cookies and hot coffee.
Before attending Henry Lien’s Creative Toolbox Workshop in January, I wasn’t much of a workshop person. I’ve got a theatre (with an “re”) degree. I’ve studied all the great playwrights from the inside out—meaning I’ve played their characters, and there is no better teacher about what works and what doesn’t than a live audience. I have written screenplays. I’ve won awards for TV and film. I have books published with glowing reviews. I have earned my snobbish attitude!
But I’ve also been locked inside for two years, like the rest of us, so any chance to see another person face-to-face is a joy these days. Also, I know Henry. Author of the Peasprout Chen middle grade fantasy/adventure series, he sat on a panel I put together for L.A. Comic Con. He’s a really nice guy, so I should go wave the flag of the SCBWI-L.A. board, right?
Disability is everywhere, sometimes hidden, sometimes unmistakable. Disabled people make up the largest and most diverse minority group in the world. So—yes—disability should be abundant in our children’s literature as well. But is “bad” (i.e., inaccurate, inauthentic, insensitive) representation better than no representation at all?