Kelly Pellico: Jenny, welcome to Kite Tales and congratulations on the one-year anniversary of your debut picture book, Tate’s Wild Rescue!
Jenny Turnbull: Thank you, Kelly. It’s exciting to be here celebrating Tate‘s first book birthday!
KP: What was the initial spark for this story?
JT: Tate’s story is rooted in my lifelong love of animals and feeling wild animals are happiest free in the wild where they can thrive, while companion animals deserve the love and comforts of home. Commitment to our furry family members, and animal welfare, has always been so important to me.
Ellen Hopkins is a New York Times best-selling and multi-award-winning author, a celebrated literary force whose courageous storytelling has enthralled readers like me for over two decades. She is perhaps best known for her raw and poignant novels written in verse. The real-life challenges of being a mother prompted the first of these, Crank, inspired by her now-recovered daughter’s struggles with an addiction to crystal methamphetamine and a consequent stint in prison.
Following the success of Crank, Hopkins has gone on to author more than a dozen acclaimed novels in unabashed verse. She has tackled subjects ranging from drugs to mental health to abuse to sex trafficking, and most recently, the foster care system in her new novel, Sync.
Longtime SCBWI member Joan Bransfield Graham is an award-winning children’s poet whose books include Splish Splash and Flicker Flash—shape poems about water and light (Houghton Mifflin Harcourt). Both books were School Library Journal Best Books of the Year and NCTE Notable Children’s Books in the Language Arts, among many other honors. Her other published works include The Song We Chose to Sing (ACTA), a poetry/music CD, and The Poem That Will Not End: Fun with Poetic Forms and Voices (Amazon Children’s Publishing/Two Lions). She has also contributed to many poetry anthologies.
Joan took a moment to answer some questions for the Kite Tales Blog.
ANN ROUSSEAU SMITH: Congratulations on your newest book, Awesome Earth, illustrated by Tania García. You have written many poems in many poetic forms. Why concrete or shape poems for this new book?
JOAN BRANSFIELD GRAHAM: Thank you, Ann! Since I was going to be featuring landforms, shapes that grace our Earth, what better way to explain a shape than with shape itself—concrete poetry. Not only is the poem talking about the landform but also showing it. Awesome Earth combines poetry, science, and art to explore what creates landforms from “Mountain,” “Glacier,” and “Volcano” to “Island,” “Hills,” and “Hoodoos”—artistic wonders that cover our Earth’s surface. It’s a perfect book for STEAM, National Poetry Month, and Earth Day. Many teachers have told me that my poetry has proven helpful for their students who are acquiring English as it offers many clues to unlocking the words.
ARS: I love how poems in any form—concrete or other—create visual images for the reader or listener. Can you share any writing tips for the poet in all of us?
JBG: MY FIVE FAVORITE POETRY WRITING TIPS
1. Use all of your senses.
2. Use vigorous verbs, marvelous metaphors.
3. Each poem is a mini-story with a beginning, a middle, and an end. If your poem doesn’t have a payoff or new perspective at the end, maybe it’s upside down. Don’t give it away at the start.
4. Use details to reach the universal. Zoom in for a close-up or write a wide-angle, big picture poem.
5. Write the poem you’ve never read before.
ARS: Since Awesome Earth is a nonfiction book it contains back matter, including information on landforms, a glossary, and additional resources for readers. How involved are you with the back matter? Do you find all the information and references, or does the publisher assist?
JBG: I did all of the back matter myself, including the photos. Originally, the additional information was going to be sidebars, but the design team decided to use everything as back matter. It’s a challenging endeavor to take a huge amount of research, distill it, and make it easy to understand. How do you introduce tectonic plate theory and continental drift to a four- to eight-year-old? My books always have a much wider age range than what is listed. In ice-skating, doing jumps and twirls can look so effortless because the skaters have put a lot of work into it. The same goes for writing. Speaking of age range, landforms are studied in all grades, just in different ways. Once a woman said to me, “I don’t know who is having more fun with this book (Flicker Flash)—my six-year-old grandson or his father, who is a physicist!” It’s wonderful to get a response like that!
ARS: You are a longtime member of the SCBWI and a volunteer board member of the Central-Coastal California (CenCal) Region. How helpful has your involvement with the organization been to your writing and publishing career?
JBG: When we first moved to California, I was at the local library one day reading a copy of The Writer magazine, where I saw an ad for the SCBW (it didn’t have the “I” yet) Summer Conference in Santa Monica. Where is Santa Monica? I thought it wasn’t too far away, decided to attend, and have been going ever since. I’ve made lifelong friends, heard amazing writers, artists, editors, and agents speak and share their knowledge of both craft and the business side of publishing, learned a great deal, and had an incredible opportunity to meet a wealth of creative, amazing people, and so I have been a volunteer forever—I am so grateful I joined! Thanks to you, Ann, for your volunteer work, for helping to share happy news and keep us all connected!
Thank you, Joan, for all your thoughtful responses!
For more information about Joan and her books visit her childrensauthorsnetwork! website. Join her on Facebook.
For information on SCBWI-CenCal events (open to all SCBWI members!), go to scbwi.org/regions/cencal.
For more fantastic content, community, events, and other professional development opportunities, become a member today! Not sure if there is a chapter in your area? Check here.
Images provided by Joan Bransfield Graham and the SCBWI Central-Coastal Region
Author Harshini Vankineni with the proof copy of her debut, What Color is the Baby?
Harshini Vankineni is a writer and an immigrant from India and lives in Southern California with her husband and children. Her debut picture book, What Color is the Baby?, is set for release on April 1, 2025. Harshini writes picture books, young adult fantasy, and new adult romance. She likes to write complex characters who are often dealing with societal pressures head-on and to tell stories that are a lens to her culture.
Judy Y Faulkner: Welcome to Kite Tales, Harshini! Tell us a bit more about your history. Have you always been a writer?
Harshini Vankineni: Thank you, Judy. I think I’m a specimen of what middle-class Indian kids are brought up to be—despite many dreams and talents, you end up becoming a computer engineer or a doctor because of parental and societal pressures. I’m a graduate of Software Engineering. I came to the USA, or should I say was sent to the USA, to pursue a master’s in Computer Engineering. But I have been writing since the day I read an abridged version of The Tempest (with pictures and everything). My first manuscript was a really messy tale inspired by Johanna Spyri’s Heidi. I was twelve then, and boy, did I plagiarize. I wrote it in an expired, dated journal that an uncle gifted me, and my mother preserved it until I burned it. Because in that, the villain was my mother.
It’s been a roller coaster of a year. But that means there’ve been ups as well as downs. Joy, growth, progress, breakthroughs, satisfaction. So, take a moment to peruse our traditional year-end inspirational quotes column, which this year includes a baker’s dozen. We need ’em! And we have them, thanks to all of you who have been kind enough to share your time, expertise, images, thoughts, words—and reasons for huzzahs—with all of us through Kite Tales. Now, let’s hop in the time machine together and take a look back at some of the highlights.
Writer Kelly Pellico asks, “Is writing a fool’s errand?”
I’ve spent 148,628* hours reading, studying, and writing picture book manuscripts. I’ve scoured library shelves and listened to an endless stream of craft advice through podcasts, webinars, classes, and conferences. And . . .
Marie Kondo has inspired millions of people to simplify and streamline their lives by assessing their belongings and keeping only what sparks joy in their life’s story. Are you ready to do the same for the stories you write?
by Cara J. Stevens
The author is downsizing while also welcoming a new book into her life.
I’m in the process of packing up our house for a move. We’re downsizing from a large cozy, suburban house to a sparkling new, small apartment in the city. We’re also becoming empty-nesters as our son is moving into his first apartment and our daughter is happily settled across the country. To prepare for this new chapter, I’ve been systematically going from room to room, sorting our belongings into piles: keep, donate, sell, send off with the kids, and throw out. What has helped me through this potentially overwhelming task is Marie Kondo’s transformational book, The Life-Changing Magic of Tidying Up: The Japanese Art of Decluttering and Organizing.
At the same time, I’ve been working with clients struggling to edit their picture book manuscripts. They’re having trouble “killing their darlings.” It hit me, as I was elbow-deep in memorabilia, that downsizing a home and downsizing a manuscript share striking similarities. Both require looking objectively and lovingly at what has brought you to this moment and assessing its usefulness for the journey ahead.
Pro tip #1: Use your badge lanyard as an easy way to tell people about your books! I printed these on cardstock and taped them on.
What is ALA? Who gets to go to ALA? How can I go to ALA? Will my publisher pay for me to go to ALA? What is it like going to ALA? WHAT IS THE DEAL WITH ALA??
Perhaps these questions have been floating in your head for years, easy to ignore or not contemplate for too long. That’s what it’s been like for me. But this year, as the American Library Association (ALA) held its annual conference in San Diego last month, it was impossible for me to ignore the giddy updates and photos flooding my socials with friends who were SO EXCITED TO BE AT ALA!!!! Because I was there, too.
As a traditionally published picture book author who debuted in 2020, I’m happy to share my recap of how I got to go to the conference, along with some insider tips to help demystify attending ALA Annual.
Liz Garton Scanlon is the author of numerous beloved books for young people, including picture books Everyone Starts Small; Full Moon Pups; Kate, Who Tamed the Wind; the Caldecott-honored All the World; and many others, all illustrated by some of the very best artists in the business. She’s also co-authored several books with her pal Audrey Vernick, including the hilarious Bob, Not Bob and The World’s Best Class Plant. Scanlon’s middle grade novels are The Great Good Summer and Lolo’s Light, and her chapter book series Bibsy Cross debuts this June. Liz has taught at Austin Community College, Whale Rock Workshops, the Writing Barn, and at countless schools and conferences. She serves on the faculty of the Writing for Children and Young Adults program at the Vermont College of Fine Arts, and lives in Austin, Texas. Find more at Liz’s website.
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