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Tag Archives: Lee Wind

Mission-Driven Editing: An Interview with Adam Blackman of Cardinal Rule Press

08 Wednesday Oct 2025

Posted by Judy Y Faulkner in Editor's Perspective, Los Angeles, Tri-Regional News, Writers Retreat

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Adam Blackman, Berrie Torgan-Randall, Cardinal Rule Press, interview, Just Ducky, Lee Wind, Like That Eleanor, publishing, SCBWI community, working writers retreat, writing

by Judy Faulkner

Adam Blackman, Acquisitions Editor for Cardinal Rule Press, is on the faculty at the 2025 SCBWI-LA Working Writers Retreat

Registration for this year’s SCBWI-LA Working Writers Retreat closes in four days, and the event is only a few weeks away. Retreat faculty member Adam Blackman is Acquisitions Editor for picture books at the Cardinal Rule Press and a freelance editorial consultant on books for all ages. In this interview, he gives Kite Tales a taste of what he brings to a retreat conversation and what he hopes attendees will bring with them and be able to take away. In conversation, Adam listens closely, smiles easily, and laughs often. He also notes, “You can put in brackets, ‘gestured with hands,’ because I speak with my hands so much. It’ll be an art note.” Hooray, an editor with no fear of art notes! This interview has been edited for clarity and brevity. – JF

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Writers Day 2019: Tenacity, Writing with Respect, and Other Takeaways

12 Friday Apr 2019

Posted by Erlina Vasconcellos in Author's Perspective, Writers Days

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Abigail Samoun, Cornelia Funke, Frances Gilbert, Lee Wind, SCBWI community, SCBWI events, Steve Mooser

By Charlotte Offsay

On March 9, writers swarmed the Skirball Cultural Center for SCBWI’s annual L.A. Writers Day conference. The day was packed with wisdom, tips, and motivation. Here are some of my favorite takeaways from the event.

The publishing industry is subjective, do your research and don’t give up!

Doubleday Books Editor Frances Gilbert cited being bored, an overly complicated plot, or an over-published topic among her reasons for rejecting manuscripts. She shared her own journey as an author and highlighted the subjective nature of this business – one of her manuscripts was called too specific by one publisher and too vague by another. She encouraged authors to do their research before submitting to find the right home and champion for their manuscript.

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Authors Lee Wind and Alexis O’Neill on Meeting Your Readers and Writing the Hard Stuff

23 Wednesday Jan 2019

Posted by Sarah Parker-Lee in Author's Perspective, Writers Days

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Alexis O'Neill, Lee Wind, Queer as a Five-Dollar Bill, SCBWI community, SCBWI events, SCBWI members, The Recess Queen

Alexis at a school visit.

This year’s SCBWI-L.A. WritersDay boasts some fantastic faculty members, all dedicated to helping attendees get to know the kids, editors, and others who make up their target audience. Two of those faculty members are former SCBWI Regional Advisors and current authors, Alexis O’Neill and Lee Wind. Alexis is a veteran teacher, author, and popular school visit presenter. Her books include The Recess Queen, Loud Emily, The Kite That Bridged Two Nations, and more. Lee is the author of the young adult novel, Queer as a Five-Dollar Bill, named a BookLife Prize Semi-Finalist, one of Publishers Weekly’s Top Five Independently Published Middle Grade and Young Adult Books of 2018, and is the founding blogger and publisher of I’m Here. I’m Queer. What The Hell Do I Read?, an award-winning website about books, culture, and empowerment for Lesbian, Gay, Bi, Trans, Questioning and Queer youth, and their Allies. And it’s our lucky day because both of them agreed let us pick their beautiful brains leading up to Writers Day!

SARAH PARKER-LEE: We’re so excited to have you both as faculty this year! Alexis, whose column for the SCBWI Bulletin, “The Truth About School Visits,” has been helping members since 2006,is doing a breakout session about new research on school visits. Interacting with readers is a universal experience for kid lit authors. Can you both tell us about one of your most meaningful ones? Or one of your early blunders, so we can learn from your mistakes?  Continue reading →

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Founded in 1971 by a group of Los Angeles-based children's writers, the Society of Children’s Book Writers and Illustrators is a non-profit, 501 (c)3 organization. There are currently more than 22,000 members worldwide, in over 70 regional chapters writing and illustrating in all genres for young readers, making it the largest children's writing organization in the world.

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