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Author Archives: Christine Van Zandt HOT DOG! 2026 JLG gold-standard selection

Ask an Editor: Should I Be Querying Now?

02 Wednesday Sep 2020

Posted by Christine Van Zandt HOT DOG! 2026 JLG gold-standard selection in Ask an Editor

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pandemic, query, query letter, query letters

“Ask an Editor” is a forum wherein SCBWI members submit questions that are answered as part of our quarterly Kite Tales blog.

 Dear Christine – With all that’s going on in the world, should I be querying? Thanks.

—Lynn, Los Angeles

Dear Lynn – Query, just be sure to check the agency’s or publisher’s website first. If they are closed to submissions, it should state that.

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Ask an Editor: The Difference Between a Comic Book and a Graphic Novel

17 Wednesday Jun 2020

Posted by Christine Van Zandt HOT DOG! 2026 JLG gold-standard selection in Ask an Editor

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Comics, Graphic Novels

“Ask an Editor” is a forum wherein SCBWI members submit questions that are answered as part of our quarterly Kite Tales blog.

Dear Christine – I’ve always loved reading comic books and have an idea I’ve been thinking about but it’s pretty long. So would that be considered a graphic then? Thanks.

—Ryan, Rancho Cucamonga

Dear Ryan – It sounds like your book would be categorized as a graphic novel. Here’s a recap.

COMIC BOOKS: The term “comic book” may remind older readers of the spinning racks where you picked up the latest issue of a favorite story. Comic books originated about 90 years ago in the United States. Today, the choices are vast—there truly is something for everyone.

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Ask an Editor: Is It Historical Fiction or Narrative Nonfiction?

29 Wednesday Apr 2020

Posted by Christine Van Zandt HOT DOG! 2026 JLG gold-standard selection in Ask an Editor

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historical fiction, narrative nonfiction

“Ask an Editor” is a forum wherein SCBWI members submit questions that are answered as part of our quarterly Kite Tales blog.

Dear Editor – My YA book is set during World War II using some real characters, but the story is made up. Is this considered historical fiction or narrative nonfiction?                                           —John, Pasadena

Dear John – Defining the genre of your book is an important step because agents often list which genres they’re seeking. Based on what you’ve stated, your book should be pitched as YA historical fiction. Let me explain.

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Interview with Poet Renée LaTulippe

17 Friday Apr 2020

Posted by Christine Van Zandt HOT DOG! 2026 JLG gold-standard selection in Poet's Perspective

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COVID-19, Lyrical Language Lab, pandemic, picture book, poetry, poetry month, Renee LaTulippe, rhyming, writer, writing

Top poet, author, and teacher Renée LaTulippe shares what it’s like working from Italy during the pandemic and her advice for children’s writers.

CHRISTINE VAN ZANDT: Welcome to Kite Tales! I’m currently enrolled in your online ten-week Lyrical Language Lab. Your instruction (from Italy!) during the pandemic has been seamless. How has teaching this course been different?

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Interview with Best-Selling Author-Illustrator, Grace Lin

03 Friday Apr 2020

Posted by Christine Van Zandt HOT DOG! 2026 JLG gold-standard selection in Author's Perspective, Illustrator's Perspective

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A Big Mooncake for Little Star, author, Author Tips, COVID-19, disney, early reader, Grace Lin, illustrator, Ling and Ting, middle grade, Mulan, picture book, Where the Mountain Meets the Moon

New York Times best-selling author-illustrator Grace Lin won the Newbery Honor for her middle-grade novel Where the Mountain Meets the Moon, the Theodor Geisel Honor for her early reader Ling and Ting, and a Caldecott Honor for picture book A Big Mooncake for Little Star. Her new middle-grade novel, Mulan: Before the Sword, is an original prequel to Disney’s live-action Mulan story.

CHRISTINE VAN ZANDT: Welcome to Kite Tales! On the West Coast, changes to our lives and livelihoods have been happening at an ever-increasing speed. What’s life like on the East Coast? Continue reading →

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Interview with HarperCollins Senior Editor, Maria Barbo

13 Friday Mar 2020

Posted by Christine Van Zandt HOT DOG! 2026 JLG gold-standard selection in Writers Days

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editor, HarperCollins, Maria Barbo, publishing tips, Writers Day, writing tips

EDITOR’S NOTE: Unfortunately, as you may have heard, SCBWI L.A.’s 2020 Writers Day has been postponed due to the Coronavirus. Please check your emails for the announcement which provides more details. Despite this news, the below interview (unedited from the original) provides fantastic information – so, please, read on! 

MARIA BARBO (Senior Editor at HarperCollins) acquires high-concept series and standalones for young readers of all ages—focusing mostly on middle grade and select picture books, chapter books, and graphic novels. She is particularly interested in projects with authentic voices, strong hooks, and fresh perspectives that use humor, magic, or illustrations to help young readers learn to navigate their world. She works with award-winning and bestselling authors such as Natalie Lloyd, Jim Benton, and Lisa Greenwald. Prior to joining Harper, Maria worked at Scholastic Inc, earned an MFA in painting, and lived in Spain via the Fulbright Program. When she’s not working, you can find her playing soccer or practicing her handstands.

CHRISTINE VAN ZANDT: Welcome to Kite Tales! We’re excited to have you as a Keynote Speaker at SCBWI L.A.’s 2020 Writers Day event. Your topic, “It’s TOTALLY Personal: Character Motivation is Everything” sounds amazing, as does the breakout session, “Master the Middle of Your Novel.” Does character motivation differ in picture book, middle grade, or YA?

MARIA BARBO: Thank you, Christine. I’m excited to meet everyone in L.A. I’d say the basic guiding principle across all age levels is that your main character’s motivations, their deepest desire, is what drives the plot forward. What do they want? Why do they want it? And which of their personality traits is going to get in their way? Continue reading →

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Interview with Best-Selling Middle Grade Author, Ridley Pearson

11 Wednesday Mar 2020

Posted by Christine Van Zandt HOT DOG! 2026 JLG gold-standard selection in Author's Perspective

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author, Author Tips, Dave Barry, Kingdom Keepers, Lock and Key, Peter and the Starcatcher, Ridley Pearson, Steel Trapp, Super Sons

Ridley Pearson is a #1 New York Times best-selling author of more than 50 award-winning books for readers of middle grade and young adult. His novels have been published into two dozen languages and adapted for television network and the stage.

CHRISTINE VAN ZANDT: Welcome to Kite Tales! Your best-selling Peter and the Starcatchers series is co-written with Dave Barry and includes illustrations, but that still must be a very different process from writing your new DC Comics Super Sons graphic-novel series. How does it feel to use words so sparingly?

RIDLEY PEARSON: Words are like coins; you can spend them freely or carefully. One of the projects Dave Barry and I co-wrote was to retell the Peter Pan story through the artwork of Disney Legend Mary Blair (artist). We were given 1,500 words, max. Despite an abundance of glorious artwork from the 1930s there were pieces of the story unrepresented by the archival artwork. Dave and I learned firsthand the importance of every single word. Continue reading →

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Ask an Editor: The Difference Between a Mentor Text and a Comp Title

29 Wednesday Jan 2020

Posted by Christine Van Zandt HOT DOG! 2026 JLG gold-standard selection in Ask an Editor, Author's Perspective

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comp, comp title, mentor text, Tara Luebbe

“Ask an Editor” is a forum wherein SCBWI members submit questions that are answered as part of our quarterly Kite Tales blog.

Dear Editor – What is the difference between a mentor text and a comp title?

—May, Los Angeles

Because of her great webinar on this topic for 12 x 12, I’ve asked Tara Luebbe to reply.

Dear May – A mentor text is all about craft, as it’s a book that helps you shape your manuscript. A mentor text could cover a subject matter or concept that’s comparable to your story. It might mirror your story arc, utilize a format you’d like to explore, or have a main character with a similar obstacle to overcome. It may use a voice or POV you want to try, or be written with a brand of humor or sense of irony you are looking to emulate. So the right mentor text can provide a template for figuring out one or more challenging elements in your own work. Continue reading →

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Ask an Editor: Is Querying an Agent Different Than Querying a Publisher?

04 Wednesday Dec 2019

Posted by Christine Van Zandt HOT DOG! 2026 JLG gold-standard selection in Ask an Editor

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agents, editors, publishers, publishing houses

“Ask an Editor” is a forum wherein SCBWI members submit questions that are answered as part of our quarterly Kite Tales blog.

Dear Editor – I’m getting ready to query my book for the first time and am confused. Do I query an agent or a publisher?

—Jackson, Los Angeles

Dear Jackson – Congratulations on having finished a manuscript! To pursue traditional publication, a writer “queries” (sends a query letter to) a literary agent or a book publisher. At a publishing house, it may be the acquisitions editor’s job to find new talent so, sometimes, you will hear a writer saying they “queried an editor”—this is essentially the same as querying the publisher. Whether you choose to query an agent or publisher, check online submissions specifications to see whether they are accepting queries and, if they are, how to do so. Continue reading →

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Interview with Middle-Grade Author M.G. Hennessey

20 Wednesday Nov 2019

Posted by Christine Van Zandt HOT DOG! 2026 JLG gold-standard selection in Author's Perspective, Tips and Tools

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author, Author Tips, child welfare, foster kids, M.G. Hennessey, middle grade, novel, published, The Echo Park Castaways, The Other Boy

Local author and SCBWI member M.G. Hennessey’s new middle-grade book, The Echo Park Castaways, addresses LA’s child-welfare system. The four main characters share the same foster-care home and the story is told from three viewpoints.

CHRISTINE VAN ZANDT: Welcome to Kite Tales! This is such an important topic but you convey the issues in a way a middle-grade reader can understand. Did you write it in an alternating fashion as it’s published, or did you write each character’s piece separately?

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