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agents, Allison Moore, Andrea Loney, Antoinette Portis, Carol Heyer, editors, erry Pierce, Hannah Mann, Happy LaShelle, Lorin Oberweger, Lynn Becker, Maria Middleton, Mathew Rivera, Molly Ruttan, Sarah Jane Abbott, SCBWI events
By Ann Rousseau Smith, SCBWI CenCal News Liaison
SCBWI CenCal ArtWorks Re-Cap
By Laura-Susan Thomas, CenCal Illustrator Coordinator
Our amazing and talented faculty this year at ArtWorks were Maria Middleton, Art Director for Random House Children’s Books, and Antoinette Portis, author-illustrator of Not A Box, an ALA Geisel Honor book, and Not a Stick, one of the New York Times Ten Best Illustrated Books of the Year. Maria Middleton kicked off the day with lots of creative energy, informing us how a middle grade cover gets created, coming up with unique characters and world building, and including a live drawing exercise for all our illustrator attendees. Antoinette inspired us all to get creative, explore, find and work out those perfect picture book images and storytelling. Continue reading

It was a spectacular Saturday morning. The temperature was in the low seventies and the sky blue. The 

SPL: Phew! We haven’t been saying it incorrectly! (Introverts worst nightmare.) With that out of the way… You’ve been an SCBWI volunteer for a long time, off and on, why did you recently take up the mantle of Illustrator Coordinator?
After two-plus years as our marvelous co-coordinator of the Westside Writers Mingle, Lori Snyder stepped down in December 2017. We are so grateful for her invaluable energy and spirit, and her contributions to our group. She leaves us with these parting words: “I’m happy to say that it was really fun to do and to work with you, and I’m excited to get to come as a participant again.”
Erlina Vasconcellos: How will Peer2Peer Critique Day be structured? Do participants meet individually or in groups?
In 2010, I submitted the picture book Not So Loud, Natsumi! to the
It’s time once again to polish up those manuscripts and submit to the
ANDREA CUSTER: I workshopped it with my critique group as I was writing the first draft. They are an amazing group, quite astute, and so I had the benefit of their comments early on and had already revised the first half of the manuscript based on their feedback. Submitting it for consideration for SAG was actually a bit of an impulse! I saw the reminder on