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Alex Gino, Amy Rubinate, Anna Meriano, Audiobooks, editing, Ideal Audiobooks, Megan McDonald, Mosaic Audio, narration, Patricia Hruby Powell, Tara Dairman, writing
by Amy Rubinate
Audiobooks are an increasingly important part of the literary marketplace, and there is a high likelihood that every book will become an audiobook sooner or later. In light of this shift in the market, authors may wonder if they need to keep the audio version in mind when writing, and adjust their writing style to accommodate this medium. I would suggest that the answer is yes, even if the changes are subtle or few. But let’s start with the easiest adjustment: using audiobook techniques to your advantage as part of the writing process.
Harold Underdown is an independent editor and publishing consultant, with over 30 years of experience in children’s publishing. He’s the author of 
Agent Jennifer Chen Tran is on faculty for this year’s 
#KT250 is a Kite Tales quarterly community contest, but unfortunately this quarter we did not have enough entries to complete the contest. So instead, we’re offering you some tips as you prepare your work for any kind of contest submission and re-posting all our winning entries from this year! We’re so grateful for all who participated and made our first contest year so special. We can’t wait to see what you do next year!
Since they met during a UCLA writing class in 1979, Stephanie Gordon and Judy Enderle have led prolific careers as writing partners, publishing more than 20 picture books, middle grade, and young adult novels like 
Kite Tales 