The ‘Reality’ of Writing: How Reality TV Can Improve Your Books – For Real!

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by Toni Gallagher

Reality TV might be a guilty pleasure for many, but believe it or not, there are storytelling secrets in those wild, dramatic, and silly shows that can truly improve your writing. How do I know? 

Well, I had two middle grade novels published by Random House while I worked as an Executive Producer on The Real Housewives of Beverly Hills! And after working for almost 30 (gulp) years in the business, I have seen how the rules of reality TV can punch up a story in need. Hopefully, the things I’ve learned can help you too.

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Getting the Most Out of Critique: The Art of Listening

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This weekend on June 12th, SCBWI-L.A. will be hosting its annual Critique Day which is open to all members of SCBWI. Creatives from all over the tri-regions (and beyond) will have the opportunity to share their work with each other in a safe and structured environment. It is one of the best places to get started when taking those first steps into honing your craft without having to fully commit to a class or pay for a workshop. This event is always free to our members. (Registration for this year’s event is now closed, however, so be sure to check back on the regional page for next time!)

But we’re here to talk about getting the most out of that critique. For first timers it can be nerve-racking just having someone else read your work, but for the seasoned pro it might be a testing ground for an experimental piece. Both need open and honest feedback about the work, but with only a few minutes to read and talk about each piece, how can we best make use of that time?

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Great News!

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SCBWI loves celebrating our members’ successes and noteworthy news, and there are many! Read on to find out who’s got something to shout about. Digital high-fives welcome in the comments!

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When the Writing (or Drawing) Gets Tough: How to Plow Through the Block

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You may have heard about writer’s block, or have gotten stuck mid-way through a story or a sketch. Maybe you’ve redrawn the same scene multiple times only to have to throw away the paper after you’ve erased right through it. These times can be tough, and it’s hard to pick up that pencil and keep going. But that’s what you’ve got to do.

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Publicity & Marketing: A Case Study – Part 5

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by R.S. Mellette

Me and Dad

This blog-umentary started out as an analysis of hiring a PR firm for a small-press book, and I promise we’ll get back to that, but to assess that value for the month of April I have to fill you in on some personal backstory. 

You might want to get a tissue.

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Toot Your Horn!

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SCBWI members’ publishing news is something to celebrate here at Kite Tales! Check out whose book is coming to a platform near you or around the world. Horn-tooting and digital hi-fives welcome in the comments!

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#KTChat with Amy Duchene and Elisa Parhad: Collab x Fab – 7 Tips on Collaborative Creation

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by Amy Duchene and Elisa Parhad

Editor’s Note: On Twitter this Friday (5/6/22) from 12-1PM PST, Amy and Elisa will take your questions and discuss why our stories matter, even when we think they don’t. Log into your Twitter account during our chat hour and use the hashtag #KTChat or @mention @amydishes and @SCBWISOCALLA to join the discussion! If you aren’t on Twitter, leave questions in the blog comments before the chat! 

We (Amy and Elisa) are long-time friends and co-authors of Pool Party. Luckily, we had a stellar experience working together on this project, but we know that not every collaboration ends with hugs and a publication. Collaborating together for nearly nine months on this project, we learned a lot about what works and what to watch out for so that you can find success too. Here are seven tips.

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Interview with YA Author Britta Lundin

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Southern California-based author Britta Lundin’s YA novel, Like Other Girls (2021, Hyperion) has been on several “Best of 2021” lists. Her debut YA was the popular Ship It. She’s also a TV writer for Riverdale, Betty, and The Big Leap.

CHRISTINE VAN ZANDT: Welcome to Kite Tales! In Like Other Girls, Mara’s angry outburst gets her kicked off the high school basketball team. When she’s (briefly) on the girls’ volleyball team, it’s not a good fit so she joins the football team. At first, being the only girl isn’t really a big deal, but it turns into a larger movement when four other girls join too. In your first YA book, Ship It, (about fandom) you said you wrote what you knew; because of your experiences, you’ve been on the inside “seeing how the sausage is made.” (Love that quote!) Your bio says you were a multi-sport athlete so is Girls another “sausage” story?

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Publicity & Marketing: A Case Study – Part 4

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by R.S. Mellette

Jennifer Vance of Books Forward, you saved the book! Or, you know, at least kept the release date from being pushed back to oblivion.

Spoiler Alert—At the end of this story, we finally get our cover.

Now that we have the cover wrapped up, here are some details of the issues we were having. 

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Ask an Editor: Revision and Voice

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“Ask an Editor” is a forum wherein SCBWI members submit questions that are answered as part of our quarterly Kite Tales blog.

Hi Christine – My grammar and mechanics skills helped me get good grades in school but they often cause me trouble when I’m revising fiction. How do I keep from editing the voice out of my manuscript?

—Jade, Los Angeles

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