Category Archives: Writers’ Retreat

Agent Jennifer Tran on Querying and the Agent-Client Relationship

10 Wednesday Jul 2019

Posted by in Writers' Retreat

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Jennifer-Chen-TranAgent Jennifer Chen Tran is on faculty for this year’s SCBWI-L.A. Working Writers Retreat (WWR).

She joined the Bradford Literary in 2017, and represents fiction and nonfiction. She’s interested in diverse writers and #ownvoices from underrepresented/ marginalized communities, strong and conflicted characters who are not afraid to take emotional risks, stories about multi-generational conflict, war and post-war fiction, and writing with a developed sense of place. In non-fiction, she loves books that broaden her world view or shed new light on “big ideas.”

Originally from New York, Jennifer was an associate agent at Fuse Literary and served as Counsel at The New Press before becoming an agent at Bradford Literary. She obtained her Juris Doctor from Northeastern School of Law and her B.A. in English Literature from Washington University in St. Louis.

She took some time to answer our questions about her work, how first-time authors can shine, and her wishlist.

ERLINA VASCONCELLOS: What are the biggest mistakes made by first-time authors? 

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Sue Alexander Grant is Open for Submissions! Here’s Why You Should Apply!

17 Wednesday Apr 2019

Posted by in Contests & Grants, SAG, Writers' Retreat

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By Julia Edwards 

If you are thinking about applying to SCBWI-LA’s Sue Alexander Grant, JUST DO IT! It was the best thing I could have done for my middle grade manuscript — twice! In 2017, I applied with a very early draft of Anno Catti: In the Year of Our Catand was lucky to be the first runner-up. Then, in 2018, after major rewrites, I applied again and received top honors and a free ride (!) to the coveted Working Writers Retreat weekend.

For those who have never been to WWR, here’s the deal: Continue reading →

Working Writer’s Retreat 2018: Revisions, Connections, and Karaoke

24 Wednesday Oct 2018

Posted by in Author's Perspective, Illustrator's Perspective, Tips and Tools, Writers' Retreat

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By JESSICA CHRYSLER and KATYA DOVE

WWR_EditingSeshThis year’s Working Writer’s Retreat brought together writers of all skill levels and backgrounds to the Holy Spirit Retreat Center in Encino, Sept. 28-30. From actors to teachers, newbie writers to seasoned veterans, participants had something to gain from the faculty and each other. In workshops, writers were grouped by category and genre and had ample opportunity to mix and mingle throughout the weekend, including a karaoke party.

Faculty included agent Nephele Tempest, agent Victoria Wells Arms, Delacorte Press associate editor Kelsey Horton, Harper Collins assistant editor Stephanie Guerdan, and author E. Katherine Kottaras.

In this post, writer and illustrator Jessica Chrysler and writer Katya Dove share a conversation about their experiences at the retreat.

Jessica Chrysler: It was so great to see you again at the retreat this year, Katya. As much as I love getting to know new people, it’s always nice to find friendly faces. Every year the organizers try to change up the panels and workshops, so I’d like to know, what was the highlight of your weekend?

Katya Dove: I thought the critique sessions were amazing. Listening to other writers read their work, sharing my own, and bonding over words was by far one of the most powerful experiences. There’s so much talent among the attendees. I was blown away by how focused and committed everyone was. Though I must say, the karaoke party brought out a whole new side to fellow writers and faculty—a wild and vivacious side!

WWR_KaraokePartyJC: I have to agree on the karaoke! It’s always my favorite part of the retreat since it gets everyone out of their quiet, writerly shell. I also really enjoyed the presentation by Katherine Kottaras on “The Joy of Revising.” It’s important to love revision as part of the writing craft and it felt like everyone had similar challenges when facing editing demons. It was great to share and learn different strategies to tackle those obstacles. Continue reading →

Polish and Pitch Beach Retreat with SCBWI-CenCal

17 Wednesday Oct 2018

Posted by in Central Coast, Tri-Regional News, Writers' Retreat

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By Ann Rousseau Smith, SCBWI CenCal News Liaison and Rebecca Langston-George, SCBWI CenCal Regional Advisor

Join us for a weekend of writing, revising, and crafting your pitch at an ocean side resort. In addition to craft workshops and the opportunity to pitch your work to an agent, you’ll enjoy sunset fire pits and s’mores overlooking the ocean, life-size checkers and chess games atop the cliff, and strolls on the sand.

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Agent and SCBWI-LA WWR Faculty Victoria Wells Arms On Critiques, First Lines, and More

08 Wednesday Aug 2018

Posted by in Agent's Perspective, Writers' Retreat

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Victoria-Wells-ArmsBefore founding Wells Arms Literary Agency in 2013, Victoria Wells Arms spent 20 years in the publishing industry, working as an editor at Penguin and Bloomsbury, where she was the founding editorial director for their U.S. children’s list. She brings her expertise to this year’s Working Writer’s Retreat (WWR) as faculty.

She’s worked with bestselling and award-winning authors, including: E. D. Baker, Susan Middleton Elya, Nikki Grimes, Shannon Hale, Katherine Hannigan, Han Nolan, Marcella Pixley, Candice Ransom, Susan L. Roth and Renee Watson. She is an MFA candidate at the Vermont College of Fine Arts’s Writing for Children and Young Adults program.

Victoria took time away from her studies to answer our questions and share her insight.

ERLINA VASCONCELLOS: The retreat will feature a panel on first pages. How do first pages make readers eager for more? What are the elements commonly overlooked by unpublished writers? Continue reading →

Agent Nephele Tempest: Choosing Your Agent, Marketing Tips, Synopses, and Being an Equal-Opportunity Nerd

01 Wednesday Aug 2018

Posted by in Agent's Perspective, Writers' Retreat

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Nephele Tempest is on faculty for this year’s SCBWI-L.A. Working Writers Retreat (WWR). She joined The Knight Agency in January, 2005, opening the Los Angeles-area office. As an agent, she works with a number of talented writers, assisting them to hone their skills and build their careers. Nephele comes from a diverse publishing and finance background, having previously worked on the editorial side of the business, as well as for several major New York investment firms as a financial advisor and later a financial marketing and communications writer. Her previous experience provides her with insight into multiple aspects of the publishing industry and today she’s going to share some of it with us!

 SARAH PARKER LEE: You’ve been involved with SCBWI events in the past. Are you there just to give back or are you actively looking for clients? If the latter, what makes someone stand out from the crowd at these fast-paced events? Continue reading →

The Winners of the 2018 Sue Alexander Grant Are Announced!

11 Wednesday Jul 2018

Posted by in Contests & Grants, Writers' Retreat

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By Karol Ruth Silverstein, SCBWI-L.A. Contest Coordinator

To deem the results of the 2018 Sue Alexander Grant a “close call” would be putting it mildly. The top five manuscripts all ranked within a point of one another, with this year’s winner just edging out the runner-up.

Speaking of the winning manuscript, one of our anonymous judges noted, “It has all the pieces: Great voice, unique world-building that is nicely integrated into the storytelling, a cliff hanger ending, great humor mixed with tension and good dialogue.” Another judge added that it was the “most original manuscript of the group” and a “perfect middle grade” story.

The cherry on top? This year’s winner was last year’s runner-up! Continue reading →

HarperCollins Editorial Assistant and SCBWI-L.A. WWR Faculty Member Stephanie Guerdan on Intersectionality, Representation, and Geekery in Kid Lit

06 Friday Jul 2018

Posted by in Editor's Perspective, Writers' Retreat

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HarperCollins Editorial Assistant Stephanie Geurdan is on faculty for this year’s SCBWI-L.A. Working Writers Retreat (WWR). She came to HarperCollins in2017 following jobs at a literary agency and as a bookseller. Some of the titles she’s worked on include New York Times best-selling author Natalie Lloyd’s ProblimChildren trilogy, critically acclaimed author Tiffany D. Jackson’s sophomore novel Monday’s Not Coming, and The Lady’s Guide to Petticoats and Piracy, the sequel to the Stonewall Honor-winning The Gentleman’s Guide to Vice and Virtue by Mackenzi Lee. She is interested primarily in middle grade and YA, especially in speculative genres and graphic novel formats, with a focus on inclusive stories from fresh voices. And she’s here today to share her insights and expertise!

SARAH PARKER LEE: We’re so excited you’re joining us for the WWR! At these kinds of events, what are editors hoping to accomplish? If you come away from them with a manuscript you want to acquire, what catches your eye first?   Continue reading →

Community Corner with Susan Lendroth: From the Sue Alexander Grant to Publication

02 Wednesday May 2018

Posted by in Community Corner, Contests & Grants, Writers' Retreat

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By Susan Lendroth

In 2010, I submitted the picture book Not So Loud, Natsumi! to the Sue Alexander Grant contest sponsored by SCBWI-LA. Little did I realize the winding road my story and I would take over the next eight years from contest entry to manuscript submission to eventual publication. Continue reading →

The Sue Alexander Grant is Open. Why Should You Submit Your Writing?

25 Wednesday Apr 2018

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By Karol Ruth Silverstein, SCBWI-L.A. Contest Coordinator

It’s time once again to polish up those manuscripts and submit to the Sue Alexander Grant, the winner of which receives a guaranteed spot and free tuition to the SCBWI-L.A. September 2018 Working Writers Retreat.

The WWR is an intense critiquing weekend with critique sessions, revision time, and parties ­­— including karaoke! The retreat culminates in a first-pages pitch session with four acquiring editors and agents.

I recently caught up with last year’s Sue Alexander Grant winner, Andrea Custer, for her insight on the retreat, how it influenced her writing, and why you should apply for this grant to attend.

KAROL RUTH SILVERSTEIN: Did you put in a lot of work on your manuscript before submitting it to the Sue Alexander Grant or did you have a polished manuscript ready to go?

ANDREA CUSTER: I workshopped it with my critique group as I was writing the first draft. They are an amazing group, quite astute, and so I had the benefit of their comments early on and had already revised the first half of the manuscript based on their feedback. Submitting it for consideration for SAG was actually a bit of an impulse! I saw the reminder on Facebook that the submission deadline was coming up, and thought why not go for it? I had about a week to re-read, polish, and get it ready. I found out I’d won on my birthday! It was the best gift I’ve ever gotten.

KRS: What was your favorite part of the retreat? What was most valuable? Continue reading →