Lori Nichols: Illustrator’s Perspective

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MapleLori Nichols is the author and illustrator of the award-winning picture book Maple and the Maple series. Her illustrated work can also be seen in the This Orq books by David Elliott, No, No, Kitten! by Shelley Moore Thomas, and Go Sleep In Your Own Bed by Candace Fleming (2017). In this “Illustrator’s Perspective,” Lori shares where she gets her ideas, how her process works, and ideas to keep your own ideas flowing.

 

I find my creative juices flow better when I have a fair amount of playtime. Right now, we are doing a kitchen renovation. Walls are being demolished and floors ripped up. My world has been turned upside down, so creative juices are not flowing– at least not until yesterday when I took a sharpie and started drawing on the exposed ceiling rafters and unfinished walls. That helped some.

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Critiquenic 2016

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by Daka Hermon IMG_1073

“When you decide not to be afraid, you can find friends in super unexpected places.” —Ms. Marvel

I found that to be true at the SCBWI Peer2Peer Critiquenic. What is that you ask? It’s an amazing opportunity to have your work critiqued by your peers. Continue reading

Volunteer Spotlight: Gina Capaldi

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circus girlWe love our volunteers at SCBWI and couldn’t exist without them! “Volunteer Spotlight” is a great way to get to know them for yourself and learn more about what they do and how you can volunteer too. Now meet Gina Capaldi, Illustrator Coordinator for the SCBWI’s Inland Empire, also known as SoCal.

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Central Coast Regional News, Third Quarter 2016

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by Ann Rousseau Smith, CenCal News Liaison

 

Artworks'16

ArtWorks 2016, Report by Tricia Candemeres Continue reading

SCBWI Community Corner with Deborah Fletcher Blum

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Deborah Blum_8087The Society of Children’s Book Writers and Illustrators is a dynamic community of professionals and aspirings. Read on for a member’s story about how SCBWI has influenced their work and connected them to publishing professionals, life-long friends, and the tools they need to share their stories with children of all ages. Read on for former Hollywood LitMingle Coordinator Deborah Fletcher Blum’s story!

IMG_6077The Society of Children’s Book Writers and Illustrators launched my career as a filmmaker. It may sound odd to credit a children’s writers and illustrators group with this, but writing and filmmaking are integrally connected artistic disciplines. As an artist and English teacher, who wrote poetry and non-fiction, I embarked on a middle grade novel in the Summer of 2010 and joined SCBWI soon after.

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Interview with Carl Angel, Illustrator of The Girl Who Saved Yesterday

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Our local Angelino and SCBWI member Carl Angel is the illustrator of the beautiful new picture book, The Girl Who Saved Yesterday. In this book, Angel takes on the daunting task of illustrating Julius Lester’s poetic lines in a book that straddles myth, magic realism, and folklore. 51y5F2jyDxL._SX393_BO1,204,203,200_

CHRISTINE VAN ZANDT: Welcome! Please tell us a little bit about how you illustrated trees that talk, lights that felt “as thin as a raindrop,” and stones of the ancestors which “glow a pink as gentle and soft as a first kiss.”

CARL ANGEL: The poetic nature of Julius’s words resonates on both an emotional and literal level, and in such a way where both are equally appealing as imagery. As an illustrator, I chose to address, primarily through color and composition, the aspect on which to best focus for the image. The text is rich enough that some of the words, I felt, were beyond illustrating and were best left in the reader’s imagination, which only added to the depth of the book. The way Julius connected those two dimensions so delicately with such great lyricism was so inspiring that I wanted to share that with the reader visually. Continue reading

Ask an Editor: Why Are Picture Books Printed Vertically?

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Welcome to “Ask an Editor” where our wonderful SCBWI members send in questions that are answered as part of our quarterly Kite Tales blog. AskAnEditor_2

Dear Editor – I am writing and illustrating a picture book. Do my illustrations need to fit a vertical (tall) layout? I can’t find a book that’s horizontal, but that’s my preference when painting.  —Ann, Los Angeles

Dear Ann – Great question! Industry experts respond. Continue reading

LA Regional News – Third Quarter, 2016

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by Nutschell Anne Windsor

SCBWI-L.A.’s New Regional TeamLA regionals, 20160622From left to right: Sally Jones Rogan (Co-Regional Adviser), Kim Wildman (Asst. Regional Adviser), and Nutschell Anne Windsor (Co-Regional Adviser)

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Stephanie Olivieri: Illustrator’s Gallery

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10Illustrator and animation artist, Stephanie Olivieri, takes us on her journey from pencil to pixel in this quarter’s “Illustrator’s Gallery.” Read on for tools, tips, and encouragement if you’re looking to switch from hand drawing to digital, are deciding if you should, or would just like to compare digital notes with another fantastic illustrator!

I made the transition from hand drawing to drawing on the computer officially in 2012. It was something that I fought against for years, saying that people still needed and loved traditional art, but now that I’m digital, I have found that it’s invaluable. I sometimes will do a mixed media piece, but the freedom that an artist has once on the computer is amazing. I find that with enough practice, an artist can mimic traditional illustration and painting, with the biggest difference being drying time and the ability to make changes easily. Continue reading

Author’s Perspective: Interview with Shannon Hale

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New York Times best-selling author Shannon Hale (and SCBWI member) has published more than 20 children’s books. Her third Princess in Black book was released earlier this month; this middle-grade chapter book is part of Hale’s latest series.

CHRISTINE VAN ZANDT: Welcome! How long have you been writing books? Continue reading