Great News!

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SCBWI loves celebrating our members’ successes and noteworthy news, and there are many! Read on to find out who’s got something to shout about. Digital high-fives welcome in the comments!


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Sara Schonfeld on Making the Most of Rejection

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Jumping from journalism to editing, Sara Schonfeld never strayed far from children’s stories. She joined Katherine Tegen Books in 2019 and has recently taken on the role of Associate Editor for the imprint. Her list includes everything from picture books to young adult novels from authors such as Alice Walker, Cristina Fernandez, and Ally Malinenko (author of the forthcoming Ghost Girl).

A rabbit lover and fan of anything Marvel, this “Bunny Boss” is looking for stories that are uplifting and affirming, showing the power of relationships, identity, and self for young readers.

Sara will be sharing insights on rejection letters and how to make the most of them in her presentation during SCBWI-L.A.’s Writers Day 2021. She has given us a preview of some of those tips here on Kite Tales, but you can still register for the event here to get the full scoop.

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Interview with Nonfiction Picture Book Author Christine Van Zandt

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Christine Van Zandt is a Los Angeles writer, editor, and longtime SCBWI volunteer. She’s a familiar name here on Kite Tales, previously as the Editor and now as a regular contributor. Her debut picture book, A Brief History of Underpants, will be published in June, though that wasn’t the initial plan . . . read on to get the scoop!

FARRHA KHAN: Welcome to Kite Tales! Congratulations on your picture book, A Brief History of Underpants. Why was your publication pushed from April to June?

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Toot Your Horn!

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SCBWI members’ publishing news is something to celebrate here at Kite Tales! Check out whose book is coming to a platform near you or around the world. Horn-tooting and digital hi-fives welcome in the comments!

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Ask an Editor: Traditional Publication with or without an Agent

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“Ask an Editor” is a forum wherein SCBWI members submit questions that are answered as part of our quarterly Kite Tales blog.

Hello Christine – Does traditional publication require an agent? Thanks.

—Jay, Glendale

Hello Jay – Traditional publication often happens via an agent, but an agent is not required.

Writers who seek traditional publication typically query literary agents. Once they secure an agent’s representation, that agent will submit the writer’s manuscript to publishers.

However, some publishers will connect directly with authors. For example, I pitched my children’s nonfiction picture book idea on a Twitter pitch event called #PitMad. The children’s editor at a midsize publisher contacted me and my book was published without an agent.

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The Sue Alexander Grant is Open for Submissions!

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by Brenda Scott Royce 

The 2021 Sue Alexander Grant contest opens today, offering one SCBWI-L.A. writer a guaranteed spot and free tuition to the Working Writers Retreat (to be held virtually this year on October 9). Winning a golden ticket to this always popular event is not the only reason to enter. Since COVID-19 sidelined last year’s event, 2020 winner Nicholas Ponticello will be among the attendees at the 2021 virtual retreat. But winning the prestigious prize has already impacted his career:

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An Interview with STEM Author, Kristen Nordstrom

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by Ann Rousseau Smith, SCBWI CenCal News Liaison

Kristen Nordstrom is the debut STEM (science, technology, engineering, and mathematics) author of Mimic Makers: Biomimicry Inventors Inspired by Nature, illustrated by Paul Boston (Charlesbridge Publishing, July 2021). The picture book profiles ten real-life scientists, engineers, and designers who copy nature to create amazing new technology. Thank you, Mother Nature!

Kristen teaches biomimicry and other topics to elementary-school students in a gifted science program, and is a member of NSTA, the National Science Teaching Association. She has written innovative curriculum, and has been honored with two writing awards from SCBWI for outstanding STEM manuscripts. Kristen took a moment from her busy schedule to answer some questions for the Kite Tales blog.

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Attention Non-fiction Writers: SCBWI-L.A. Mentorship Contest Opens April 19!

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by Edward Underhill

Editor’s update (6/1/21): The deadline for the SCBWI-L.A. 2021 Mentorship Contest has been extended to June 18, 2021! Get your entries in ASAP!

In March 2020, my partner had just moved her work home for the foreseeable future, my day job was suddenly paused while everyone scrambled to set up remote work, and Los Angeles was entering lockdown. With the roads suddenly quiet outside and more time on my hands, I decided to take a risk and submit my newly finished YA novel for the SCBWI-L.A. Mentorship Contest with mentor Nicole Maggi.

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From Written to Spoken Word – Part Three: The Business of Audiobooks

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by Amy Rubinate

Photo Credit: Ron Butler and Erin Bennett

Many authors use audiobooks to enhance their readership and increase sales. To confirm why a writer would want to ensure that their book is made into an audiobook, I went straight to the source. I asked the executive director of the Audiobook Publishers Association (APA) Michele Cobb for her thoughts. She replied, “By giving the consumer all the format options, you maximize their ability to connect with your title. With eight years of double-digit growth, audiobooks have proven their value again and again.”

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#KTWriteOn with Author Elana K. Arnold: Before Revising Work, Consider Re-Visioning Your Core Beliefs

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Welcome to the Kite Tales Writing Challenge: #KTWriteOn. Each writing challenge is crafted by a kid-lit publishing professional to help spark ideas, renew creative energy, and get your work moving out into the world.

This exercise was created by Elana K. Arnold, author of critically acclaimed and award-winning young adult novels and children’s books, including the Printz Honor winner Damsel, the National Book Award finalist What Girls Are Made Of, and Global Read Aloud selection A Boy Called Bat and its sequels. Elana teaches in Hamline University’s MFA in Writing for Children and Young Adults program and lives in Southern California with her family and menagerie of pets. Today she’s challenging us to revise our work by first taking a look at what we believe about ourselves.

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