By Jill Tuckman
If you missed the registration deadline for the Critiquenic, taking place Saturday at the Skirball center, fear not! We have other ways for you to find critique partners. Read on as Jill Tuckman, our webmaster, tells you all about our new and improved Critique Exchange.
Many authors and illustrators talk about how valuable their critique groups are to their careers, and I can (but won’t, fear not) go on about how helpful my critique groups have been to me. But finding a good critique group is not always easy. Continue reading
SCBWI members have a legendary reputation for being friendly and supportive. Working the SCBWI 
Steve Ross has worked at Vroman’s Bookstore in Pasadena since 1989, but chances are good that if you call the store and ask for him by his first and last name, the employee on the phone will think you have the wrong number.
I went to Wonder Con this year and it was the messy, funny, crowd-filled, creative mish-mosh that it always is. I also realized that as I get a little older, enjoying a convention, or “con,” requires a bit more preparation. But cons are great places to network with other authors, illustrators, editors, and publishers, not to mention the kid lit audience, so they’re worth it. Since there are 
At conferences, one of the things I hear many writers and artists talk about is that their biggest fear/worry/stumbling block/insecurity (besides their craft – because hey, we all know how that is), is how to use social media. I’m writing this quick article with some tips because while I’m not officially a paid social media person, I’m really good at it. Really. 
I’ve never written a book proposal and I don’t have an agent, but I’m the author of more than a dozen non-fiction books for kids. How did I do it? I’m a writer for hire!
Bridget Smith is more than an agent at 
Kite Tales 