24 Friday Nov 2017
Posted in Toot Your Horn!
It’s Black Friday! Don’t forget that you can purchase books today, and small business Saturday, and cyber Monday! Here are some members whose books have recently become available!
Lint Boy, by Aileen Leijten, Clarion, ages 8-12, Graphic Novel, ISBN: 978-00544-52860-4, released 06/27/2017.
22 Wednesday Nov 2017
Posted in Great News!
Tags
SCBWI loves celebrating our members’ successes and noteworthy news, and there are many to be thankful for as Thanksgiving approaches! Read on to find out who’s got something to shout about. If you have something to be thankful for, kid-lit-related or otherwise, share in the comments! We here at SCBWI Los Angeles and Kite Tales are thankful for each and every one of you!
Rabbi the Rabbit, by Shireen Hakim, was published in the “Out of Many, One: Celebrating Diversity” anthology. It also won an award by the anthology publisher, Houston Writers Guild Press, on April 5, 2017.
15 Wednesday Nov 2017
Posted in Community Corner
By Patrice Karst
I fell into the children’s publishing world by accident.
Doing well with my first two adult books, God Made Easy and The Single Mother’s Survival Guide, I had sold 70K copies combined and was a popular speaker in the self-help, spiritual, New Age world. But I was also a single mom to my special needs son.
Elijah was so sad when I had to leave him in the mornings, I began telling him about an “invisible string” that connected us all day long. It so comforted him that we told his other friends. When I saw the calming effect, I thought, why not “put story to paper?” Continue reading
08 Wednesday Nov 2017
Posted in LitMingles!, Tips and Tools
By Karen Sampson (SFV LitMingle Coordinator) & Jennifer S. Pitts (former SFV LitMingle Coordinator, current LitMingle Meister)
Have you ever wanted to pick the brain of today’s Young Adult reader? The Minglers at the San Fernando Valley LitMingle did, which is why we invited five voracious teen readers to our June LitMingle to share what they read and why. As to be expected, their answers were as diverse as their backgrounds, but listening to them was extremely insightful. It would be impossible to summarize all the insight given by these bright young readers, but here are a few highlights*:
Social Media and Web
What Draws Them to Particular Books?
01 Wednesday Nov 2017
Posted in Illustrator's Gallery, Tips and Tools
By Kat Hubbs
When you are new to an industry, you have to find ways to promote yourself and get your work out there. I am not naturally inclined to self-promotion, so I decided to start a personal project that I could create and share quickly – something that was tangible, allowing people to interact with my art. To keep myself on track, I knew that I would have to enjoy the process and not have a demanding schedule. I decided a monthly calendar image would be just right for my goals.
I love learning new things, and have spent the last year creating and experimenting drawing digitally. I got an iPad Pro and threw myself into all the apps and tools. I find that the Procreate App is one of the best since it is easy to use and has great pencil brushes available. I am able to draw fast and loose, maintaining the expressive quality of my lines, while giving me the freedom to hit “undo”. I still create on paper, and I know when I draw with my favorite brush pen I am more thoughtful as I work, and I get all the happy accidents that happen when you can’t erase. So I decided that I needed to merge the two: get the look and feel of my favorite brush pen, while having the freedom of digital drawing. Continue reading
27 Friday Oct 2017
Tags
author, Cons, Halloween, illustrator, monsters, picture books, San Diego Comic Con, SCBWI members, Stan Yan, zombies
I met Stan Yan, a Denver-based writer/illustrator, caricature artist, and instructor, at his booth at San Diego Comic this year. I’m a bit of a zombie-aficionado and could not resist checking out his kids’ picture book – There’s a Zombie in the Basement (Squid Works Kids). We got to talking, and, when I found out he is an SCBWI member, I knew I had to interview him. He went to school at the University of Colorado in Boulder, where he got his bachelor’s degree in accounting, but gave up on financial security to become a full-time freelance cartoonist. Stan also teaches summer camps, after-school programs, workshops, and helped to develop a degree program in graphic storytelling as an adjunct faculty member at the Community College of Aurora. His other recent credits include art and colors for Show Devils (Mother Mind Studios) and writing and art for Vincent Price Presents (BlueWater Productions / Storm Comics).
Sarah Parker-Lee: You’ve written and illustrated comics and books with horror themes for adults and older readers, but There’s a Zombie in the Basement is a picture book for kids. How did that come about? Were you worried it might be too scary?
Stan Yan: Even though I spent most of my life doing more adult-oriented comic book work, some of my major inspirations growing up were picture books, including anything Dr. Seuss and Maurice Sendak’s Where the Wild Things Are. While many of my family continued to badger me to do children’s books, I had no interest until my son was almost 4 years old. One day, he wouldn’t come downstairs to my basement studio, and when asked why, he said he was afraid. When asked what he was afraid of, he started pointing at all of my zombie artwork decorating the walls. Over the next hour, I wrote the fast draft version of my rhyming bedtime storybook.
As I worked on the artwork I wanted it to be a bit unsettling at the beginning, not unlike Sendak’s Wild Things. And, it was precisely my fascination with these unsettling Wild Things that kept me checking that book out from the library as a kid. Of course, by the end of the story, they’re no longer scary, which is what I was going for too.
SPL: As a writer and illustrator, you’ve spent a lot of time with “horror” themes, monsters, and the like. Any advice for other kid lit writers/illustrators looking to translate some of these things into spooky stories kids can enjoy? Continue reading
25 Wednesday Oct 2017
Posted in Contests & Grants, Volunteer in the Spotlight
by Karol Ruth Silverstein
Editor’s Note: A “changing of the guard” has taken place recently at LA SCBWI, with our wonderful Contest Coordinator, Marcelle Green passing that baton to our equally wonderful Mingle Meister, Karol Ruth Silverstein, who has, in turn, passed the Mingle Meister baton to, yes, another wonderful volunteer: Jennifer Pitts. Read on as Karol explains the change-over, and why the contest-addiction struggle is real! Many thanks to Marcelle for all her hard work over the year. We wish her the best of luck on all her future endeavors! And welcome to the team, Jennifer!
I have a confession: I was addicted to entering contests.
Unlike casual contest entrants, who may really benefit from the manufactured deadlines and bravery required to put their work out there (not to mention the potential cash and prizes — woohoo!), it became an unhealthy obsession for me. Writers Day events weren’t about the great faculty and enjoying a fun day with my fellow children’s book writers and illustrators. Increasingly, they became about the contest. If my manuscript won — which a few have — I was high as a kite. If I didn’t win or place in the contest — which is what happens more often than not — the day felt like a total waste. Never mind the inspiring keynotes or illuminating panels. Even if I came in second or third, the initial high of being “a winner” was soon replaced by the disappointment of not having been deemed “the best.”
I’d literally dream of winning contests. Any addiction specialist will tell you that the cure for obsessive compulsion is complete abstinence. But could I do it? Could I really walk away from entering all the SCBWI LA contests voluntarily? I wasn’t sure I could. Continue reading
20 Friday Oct 2017
Tags
conferences, illustrator tips, Lynn Becker, SCBWI events, SCBWI members, Tammi Sauer, Tricia Candemeres, writing tips
By Ann Rousseau Smith, SCBWI CenCal News Liaison
SCBWI Summer Conference Report, by Tricia Candemeres
The 46th SCBWI Summer Conference was quite a special one. I won an SCBWI grant that covered the expenses, and I wanted to both live up to the honor and embrace the opportunity.
Vanessa Brantley Newton started us off and lifted us up – first with the hokey pokey, then with her stories of diversity, adversity, and dreaming bigger, and ended with the most stunning rendition of “You’ve Got to Be Carefully Taught.”
From that high bar, it became one amazing keynote or breakout after another. My friends and I split up and compared notes later.
Some highlights:
Illustrator Raúl Colón demonstrates his color layering technique during his intensive.
So much to take in. I’ll just fill in some of the gaps with favorite conference quotes:
And finally:
“Team Marla” and friends: Top row: Danielle Heitmuller, Heidi Aubrey, Gail Buschman, Nicole Allin, me (Tricia Candemeres), Judy Faulkner, Molly Ruttan, and Nina Moldawsky, Front row: Helen Yoon, Joy Dabby, Annelouise Mahoney, and April Zufelt
• Courage doesn’t always roar. Sometimes courage is that quiet voice at the end of the day saying, “I will try again tomorrow.” – Mary Anne Radmacher, as quoted by Laurie Halse Anderson in her closing keynote.
On Monday, the Illustrator’s Intensive was an information packed day of demonstrations and hands-on activities, featuring Ramon Hurtado, Vanessa Brantley Newton, Marla Frazee, John Rocco, Leuyen Pham, Raúl Colón, and Javaka Steptoe.
Over the past few years I’ve connected to a tribe of incredibly supportive SCBWI illustrators and authors, (we all met through a Marla Frazee workshop, so we call ourselves Team Marla), and I thoroughly enjoyed sharing this conference with them. We really are all on this journey together!
Tricia Candemeres is a children’s book author and illustrator living in southern California with her husband and two children. She worked in broadcast and graphic design before making the leap to illustration. A NYC transplant, she studied at FIT and School of Visual Arts in NYC as well as Art Center College of Design in Pasadena. You can visit her work at triciacandemeres.com and follow her on Instagram @tcandyart.
CenCal Writer Retreat 2018:
Bravely Crafting Picture Books with Heart
January 12-14, 2018
La Casa de Maria Retreat and Conference Center, Santa Barbara
Join Tammi Sauer, award-winning author, for a productive and fun picture book retreat. She will unveil her favorite picture book writing secrets. You will delve into the most important picture book components (character, conflict, word choice, among others) through discussion, examples, and engaging exercises.
Learn to build heart and humor into your manuscript.
For more information, go to https://cencal.scbwi.org/events/cencal-writers-retreat-2018/
SAVE THE DATES!
For information, go to http://cencal.scbwi.org
December 2, 2017
Holiday Party, Bakersfield
December 10, 2017
Holiday Party, Santa Barbara
January 12-14, 2018
Writer Retreat: Bravely Crafting Picture Books with Heart, Santa Barbara
BOOK TALK ONLINE
Book Talk is a monthly book discussion group taking place on the SCBWI Central-Coastal California listserv. Discussions begin on the first of each month, facilitated by Lynn Becker. To become a member of the listserv, go to: http://groups.yahoo.com/groups/SCBWI-CCal/
NOVEMBER: Clayton Byrd Goes Underground, by Rita Williams-Garcia (MG)
Clayton wants to play harmonica in Cool Papa Byrd’s band but, when his grandfather dies, his mom forbids him to play the blues.
DECEMBER: My Sister Rosa, by Justine Larbalestier (YA)
Che loves his brilliant younger sister, even though he seems to be the only one who knows how dangerous she really is.
JANUARY: Leave Me Alone! by Vera Bristol (PB)
An old woman wants a quiet place to knit, but grandkids, goats, bears, and aliens won’t leave her in peace.
Images provided by SCBWI Central-Coastal Region and Tricia Candemeres.
13 Friday Oct 2017
Posted in Editor's Perspective, Writers' Retreat
Tags
Alyssa Miele, critiques, HarperCollins, Jen Malone, Jo Whittemore, LGBTQIA, middle grade, SCBWI events
HarperCollins Associate Editor, Alyssa Miele, loves fiction chock-full of strong, flawed, and loveable characters whose stories stay with her long after she’s earmarked, underlined, and reread the heck out of them. From commercial to literary, queer to straight, and everything in between, Alyssa loves books that inspire, haunt, and captivate. Alyssa’s recent projects include Changes in Latitudes by Jen Malone, Confidentially Yours: Vanessa’s Design Dilemma by Jo Whittemore and The Arrival of Someday (working title) by Jen Malone (Summer ’19). Alyssa was on faculty for this year’s Los Angeles Working Writers Retreat and spent a weekend in Encino with our members as they dove into their writing and tweaked, polished, and maybe even dismantled their projects. For tips, insights, and music to edit by, keep reading!
Sarah Parker-Lee: As faculty for the WWR, you gave feedback on attendees’ work, but you also had to share space with them for a weekend. Did that change how you approached critiquing? What is your “critique style?”
Alyssa Miele: Meaning, is it hard to critique someone’s writing when they could potentially be sleeping next door to you? Ha! I don’t think that occurred to me until after the first few group critiques, when, heading back to my room, I saw some of the writers walking to their rooms along the same walkway as mine. And of course we share meals and social hours, which really turned out to be a rewarding experience for me. But to answer your question, no, it didn’t change my approach. We’re all adults and, whether writer, agent, or editor, we’re all there to get better in some way or another. I got a very good vibe from the writers. In between critiques, everyone was conscious of giving you your time and space to recharge for the next critique group.
My “style” is pretty laid back. I tried to avoid ever sitting at “the head” of the table. I tried to have the writers open up the conversation before I would give my two cents…I very much believe that I was a guest, allowed into their sacred writing retreat environment, and I wanted them to feel like I came with the upmost respect for their time, their writing, and their process. I didn’t want anyone to feel or think I was the end-all be-all of advice, because the truth is that everything they do, and everything I say, is subjective. So I’m very much of the mind that — here is what I think, but if that doesn’t track with what your vision is, let’s hear some other opinions. I know I bring marketplace and publishing experience to the table, so I hope they could find helpful takeaways in that part of my critiquing, but other writers at the table provided helpful insight, too.
SPL: Critiques can be a hard experience for a writer, to give and to receive, but are super necessary. Any tips on how to stay open, be honest, and choose wisely? Continue reading
04 Wednesday Oct 2017
Posted in Contests & Grants, Mentorship Contest
By Marcelle Greene, SCBWI-L.A. Contest Coordinator Emeritus
Carmel O’Mara-Horwitz & Cassandra Federman
Whether you’ve thought of mentoring, or dreamed of having a mentor – this year’s mentorship team demonstrates how a seasoned professional working with a promising newcomer benefits everyone involved.
Mentor Carmel-O’Mara Horwitz started working with selected mentee, illustrator Cassandra Federman, on May 1st, and they set an ambitious goal: improve Cassandra’s portfolio, including the creation of a new piece, and update her website before the SCBWI Summer Conference. They had two months and six days. Continue reading
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