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Author Archives: Christine Van Zandt HOT DOG! 2026 JLG gold-standard selection

Interview with Aaron Reynolds and Dan Santat

15 Friday Jun 2018

Posted by Christine Van Zandt HOT DOG! 2026 JLG gold-standard selection in Author's Perspective, Illustrator's Perspective

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Aaron Reynolds, After the Fall, Beekle, Bloomsbury, Brown Books, Caldecott Medal, Creepy Carrots, Dan Santat, Dude, illustrator, interview, Little, macmillan, Neal Porter Book, picture book, Roaring Brook Press, Scholastic, writer

In April, I had the pleasure of watching funny men AARON REYNOLDS and DAN SANTAT dazzle elementary school kids by acting out their new one-word picture book, Dude! Afterward, they graciously shared their wisdom and expertise.

CHRISTINE VAN ZANDT: What advice do you have for prepublished writers and illustrators?

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Ask an Editor: Should My Picture Book Have Page Breaks?

30 Friday Mar 2018

Posted by Christine Van Zandt HOT DOG! 2026 JLG gold-standard selection in Ask an Editor

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editing, pages, pagination, picture book, picture books, submissions

“Ask an Editor” is a forum wherein SCBWI members submit questions that are answered as part of our quarterly Kite Tales blog.

Dear Editor – I’m ready to submit my picture book to agents but there are no page breaks in my manuscript. Is that a problem?

—Unbroken, Los Angeles Continue reading →

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Ask an Editor: Query Letter and Cover Letter

13 Wednesday Dec 2017

Posted by Christine Van Zandt HOT DOG! 2026 JLG gold-standard selection in Ask an Editor

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cover letter, editor, queries, query letter

“Ask an Editor” is a forum wherein SCBWI members submit questions thatAskAnEditor_2 are answered as part of our quarterly Kite Tales blog.

Dear Editor – What is the difference between a query letter and a cover letter?

—Marissa, the Valley

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Emma Chichester Clark’s TOTO Illustration Process and Her Muse—Her Dog, Plum

08 Friday Dec 2017

Posted by Christine Van Zandt HOT DOG! 2026 JLG gold-standard selection in Illustrator's Perspective

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chapter book, Dogs, Emma Chichester Clark, HarperCollins, illustrator, illustrator tips, illustrators, interview, Michael Morpurgo, middle grade, Plum, The Wizard of Oz, Toto

Emma Chichester Clark is the illustrator of the beautiful middle-grade chapter book, Toto: The Dog-Gone Amazing Story of the Wizard of Oz. Its 250+ full-color images showcase Chichester Clark’s signature style.

CHRISTINE VAN ZANDT: Welcome to Kite Tales! In Toto, you collaborate once again with author, Michael Morpurgo. How does illustrating well-known stories differ from working on new fiction? Does having a dog as the narrator change your focus when you work on the art?

EMMA CHICHESTER CLARK: In fact, it’s my sixth collaboration with Michael. We have also done versions of Pinocchio, Aesop’s Fables, Hansel and Gretel, The Pied Piper of Hamelin, and a Christmas story called The Best of Times. Almost all of them were about well-known characters and I had to find my own ideas about that. This is a challenge because the images we all already know so well are imprinted in our heads. With each character, I have to draw and redraw them, over and over again, until I find someone that belongs to me but who is, at the same time, true to the character I’m representing. [In Toto], having a dog as the narrator was the most fun of all because I adore dogs. I have one, Plum, who is not unlike Toto in appearance and I spend a lot of my time trying to interpret what is going on in her doggy brain.

CVZ: You are also an author. Please give us some insight into your process, both as an illustrator and an author-illustrator.

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Author Michael Morpurgo on His New Book, TOTO, and Writing From an Animal’s Perspective

06 Wednesday Dec 2017

Posted by Christine Van Zandt HOT DOG! 2026 JLG gold-standard selection in Author's Perspective

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chapter book, Children's Laureate, Emma Chichester Clark, Farms for City Children, HarperCollins, interview, Michael Morpurgo, middle grade, Toto, Wizard of Oz

Today, we feature Michael Morpurgo, author of the middle-grade chapter book, Toto: The Dog-gone Amazing Story of the Wizard of Oz. This retelling of the classic is from Toto’s point of view. Each chapter begins as he tells his tale to his puppies—only one of which usually stays awake until the end.

A former Children’s Laureate, Morpurgo has published over 150 books. His novel, War Horse, was successfully adapted into a Tony Award-winning Broadway play and a Golden Globe-nominated film by Steven Spielberg. Morpurgo’s books include retellings such as Pinocchio by Pinocchio (told from Pinocchio’s viewpoint), also a collaboration with illustrator, Emma Chichester Clark.

CHRISTINE VAN ZANDT: Welcome to Kite Tales! What influenced your decision to rewrite The Wizard of Oz?

MICHAEL MORPURGO: We all know the original story from the film and perhaps less from the L Frank Baum book. It is a wonderful and magical tale—funny, frightening—and strange and a wonderful film, but I always felt that there was one character who had little part to play in the story. Dorothy we know and love, but her little dog, Toto, does little more than accompany her on her adventures, providing her with comfort and company, but we never know what he thinks of all that is going on. He just gets carried around a lot. So, I thought why not tell the story again, but through Toto’s eyes. But it was really my friend, the illustrator of Toto, Emma Chichester Clark, who originally had the idea of a retelling the story with her own beloved dog, Plum, as the inspiration for Toto.

CVZ: Please tell us about your writing process.

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Ask an Editor: What is Style? Recent Updates to the “Chicago Manual of Style”

13 Wednesday Sep 2017

Posted by Christine Van Zandt HOT DOG! 2026 JLG gold-standard selection in Ask an Editor, Tips and Tools

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AP Manual, Author Tips, Chicago Manual, CMA, editing, style guides

“Ask an Editor” is a forum wherein SCBWI members submit questions that are answered as part of our quarterly Kite Tales blog.

Dear Editor – I’ve heard there were “style changes” recently. What does this mean?

—Trying to be Stylish, Los Angeles

Dear Stylish:

What is “style”?

“Style” is the way writers express thought in a written work; this includes text and documentation and any tables and illustrations. “Style” is often used to mean the consistent use of capitalization, spelling, hyphenation, abbreviations, punctuation, ellipsis points, parentheses, quotation marks, the way numbers are treated, grammar, syntax, usage, and much more.

Where can someone learn about style? Continue reading →

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Marla Frazee: From Picture Book to Big Screen

07 Friday Jul 2017

Posted by Christine Van Zandt HOT DOG! 2026 JLG gold-standard selection in Author's Perspective, Illustrator's Perspective

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Alec Baldwin, Boss Baby, Marla Frazee

The Boss Baby, a 32-page picture book written and illustrated by Marla Frazee was published in 2010 (S&S, Beach Lane). Since the book’s publication, more than 200,000 copies have been sold and, in 2016, Frazee followed up with a sequel, The Bossier Baby, introducing the Boss Baby’s infant sister. On March 31, 2017, the animated DreamWorks film was released with Alec Baldwin voicing the main character. Frazee’s book depicts the newborn as a tiny suit-wearing boss who dictates the household. Simon Spotlight released several movie tie-in editions—two board books, a junior novelization, and a leveled reader—and the original picture books have been labeled as the inspiration for the movie.

Christine Van Zandt: Has being part of SCBWI contributed to your career?

MARLA FRAZEE: I have a career because of SCBWI. I attended my first conference in the early 1980s; Jane Yolen was working the main desk and Trina Schart Hyman gave a keynote. I think there were 80 people in attendance. After that, I went to the national conference as often as I could afford to and I attended local Southern California conferences, too. I tried to introduce myself to the speakers, which was super hard because I felt so shy about doing it and I didn’t have much to say. But I forced myself. During those years I was also sending illustration samples to art directors and picture book projects to editors, so I would occasionally meet someone who I’d sent something to. A few of them recognized my name and told me they liked my work. Those exchanges truly kept me going. I met Linda Zuckerman, who at the time was an editor at HarperCollins, at a local conference, and she eventually became my first editor. And 25 years ago, after meeting at Illustrators Day, I became part of a critique group—which is still going strong. Continue reading →

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Ask an Editor: Submissions to Agents

21 Wednesday Jun 2017

Posted by Christine Van Zandt HOT DOG! 2026 JLG gold-standard selection in Ask an Editor

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agent, agents, pages, submissions

AskAnEditor_2

“Ask an Editor” is a forum wherein SCBWI members submit questions that are answered as part of our quarterly Kite Tales blog.

Dear Editor – How many pages will I submit to an agent?

—Lim, Los Angeles

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Ask an Editor: What Is New Adult?

29 Wednesday Mar 2017

Posted by Christine Van Zandt HOT DOG! 2026 JLG gold-standard selection in Ask an Editor

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NA, New Adult

“Ask an Editor” is a forum wherein SCBWI memAskAnEditor_2bers submit questions that are answered as part of our quarterly Kite Tales blog.

Dear Editor – What is New Adult? How is it different from Young Adult?

—J.T., Los Angeles

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Why Roald Dahl’s Stories Resonate with Children Today

26 Monday Dec 2016

Posted by Christine Van Zandt HOT DOG! 2026 JLG gold-standard selection in Author's Perspective

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100th Anniversary, 100th Birthday, Charlie and the Chocolate Factory, Chloe Dahl, Fantastic Mr. Fox, James and the Giant Peach, Knuckle and Claw, Lucy Dahl, Matilda, Roald Dahl, snozzcumber, The BFG, The Twits, Voodoo Doughnuts

roald-photo-officialHoliday giving isn’t over! Enjoy this special interview, a gift from Kite Tales to all of our readers. We hope you find time to relax with a book as we say good-bye to 2016.

On September 18, 2016, I attended a celebration of Roald Dahl’s 100thbirthday at his granddaughter Chloe’s restaurant, Knuckle and Claw, in Santa Monica. Lucy Dahl, Roald’s daughter, was in attendance, reading from The Twits and entertaining the crowd with anecdotal stories about her father. The kids in the audience were obviously fans of Dahl’s work, eagerly citing their favorite books and characters—even having some lines from the books memorized. Why do Dahl’s books resonate with children today? Lucy Dahl provides some insight. Continue reading →

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