I’ve always wondered how artists and illustrators pay their bills and still have time to create. Some artists like myself, who need extra income, have little information on finding art and writing jobs other than by asking other artists/writers and checking newspaper job listings for part-time paid positions or freelance jobs. But the Internet is such a wonderful vehicle to use when you need to find information or even jobs that you wouldn’t be able to find locally, so the Kite Tales team and I decided to do some research.
Kid Lit, Day Jobs, and Paying the Bills
14 Wednesday Sep 2016
Posted in Tips and Tools
A Charmed Life / Una Vida con Suerte, by Gladys E. Barbieri, illustrated by Lisa Fields, Arte Público Press, ages 4-8, bilingual picture book, ISBN: 978-1-55885-827-5, released 05/30/2016.
Prolific illustrator John Nez shares with us about the tools he uses, why life as a working illustrator really is work, how to be your own best advocate, and how to keep that “little mouse of creative happiness” alive and thriving through it all. Read on for some great insight, tips, and illustrative goodness!
How do you get 150,000 dedicated book buyers to consider your book? How do you get 50 authors and/or illustrators together to sell their work to those 150,000 eager buyers? The answer is the Los Angeles SCBWI booth at the Los Angeles Times Festival of Books. 
Do the words “comic book convention” sound scary to you? Overwhelming? Completely irrelevant to you as a children’s book author or illustrator? Think again. Even if your work isn’t “in genre,” you can still learn a lot. If you want to know what kids are into right now, or your creative juices need a boost, there’s no better place to go than a Con.
HarperCollins Children’s Books editor Stephanie Stein works on a range of YA and middle grade fiction by authors including Kiera Cass (the Selection series), Erin Hunter (Warriors), and Cynthia Hand (The Last Time We Say Goodbye). As faculty for this year’s SCBWI Los Angeles Writer’s Day, Stephanie gave a compelling keynote address, “Writing Your Book (Not Someone Else’s)” and a breakout session on what to expect from an editor when you’re revising your work together. Kite Tales caught up with her after LAWD16 for a follow-up on defining your writer’s voice, why that’s essential to getting published, and why everyone’s path to publishing looks different.
